Ellipsis Prints
Full print01 / 04

Jala Wahid

Ellipsis No. 22

Cry Me a Waterfall (Close My Eyes I Dream of You in Slow-mo), 2021

Edition of 100 · Signed and numbered by the artist on reverse

£100

Medium
Risograph print
Paper
Olin natural white 170gsm
Dimensions
42 x 29.7 cm (A3)
Framing
Sold unframed
Edition
100
Collection
Collection Two, 2021

Despatched within 2–3 working days · Free tracked UK delivery

Tracked & insured · 14-day returns · Ships from Brighton

Prints are despatched from the UK within 2–3 working days. They are delivered unframed, rolled in a tube, and sent via a tracked service with full insurance. UK: free (Royal Mail tracked). Europe: £40 and US & Canada: £50 — courier delivery including all duties and taxes, nothing to pay on arrival. Rest of world: £45 (tracked courier; local fees and taxes may be payable). Not entirely happy? Return it in its original condition and packaging within 14 days for a full refund.

A limited edition risograph print — edition of 100. Unique to Ellipsis Prints and not available elsewhere. Once the edition is complete, no further prints are created.

Questions about framing, edition numbers or collecting Jala Wahid’s work? Send Kate a note and she’ll reply personally.

Contact Kate

“Jala brings together sound, image and cultural references to explore identity, displacement and resistance. Her work holds personal experience alongside wider political histories.”

Kate Neave, Curator

I. The story behind the work

Cry Me a Waterfall (Close My Eyes I Dream of You in Slow-mo)

Artist Jala Wahid’s print edition is drawn from a still of her film Cry Me a Waterfall, an extended music video featuring a performance by Amal Saeed Kurda of a newly composed English-language love song addressed to Bekhal Waterfall in Kurdistan.

In the film, the waterfall becomes both beloved and contested terrain: a site onto which longing, devotion and nationalism are projected. The love song format complicates this desire: is the land to be possessed, protected, conquered or communed with? Wahid exposes the tension between intimacy and sovereignty, revealing how nationalist attachment can blur into fantasy.

Water operates as a central metaphor. Fluid and uncontainable, it resists fixed borders, echoing the condition of Kurdish statelessness. In this context, homeland becomes something unstable, not only a geography denied political recognition, but a shifting emotional and imaginative space.

By isolating a cinematic moment and translating it into print, Jala Wahid condenses the work’s emotional register. The image holds longing and ambiguity in suspension, capturing the friction between personal desire and collective history.

Cry Me a Waterfall (Close My Eyes I Dream of You in Slow-mo) — The artwork framed in black
The artwork framed in black

II. Technique

Risograph, layer by layer

In risograph printing, each colour is printed as a separate pass through a risograph machine — a stencil-based duplicator that presses organic soy inks into the paper. Risograph inks are naturally vibrant — they are renowned for their vivid colours and evident textures. The inks are transparent so layers build to create more colours. Slight shifts in registration and a soft grain make every impression subtly unique.

Cry Me a Waterfall (Close My Eyes I Dream of You in Slow-mo) is printed on Olin natural white 170gsm, an uncoated, FSC-certified stock whose gentle warmth lets the colours glow. The edition is strictly limited to 100 and will never be reprinted. All prints were produced at the London Centre for Book Arts.

Cry Me a Waterfall (Close My Eyes I Dream of You in Slow-mo) — Print detail
Print detail
Portrait of Jala Wahid
Jala Wahid

Artist dossier

Jala Wahid

Jala Wahid is a Kurdish-British artist working across sculpture, moving image, installation and writing. Her practice examines the symbolic and emotional residues of nationalism, diaspora and contested territory, with particular attention to the political and cultural histories of Kurdistan.

Jala Wahid’s work often draws on music, performance and poetic language, treating sound and image as carriers of collective memory. Materials are chosen for their emotive charge: wax, resin, pigment and textile frequently appear in installations that feel both sensuous and destabilising.

More about Jala Wahid