Untitled, 2019

Gabriele Beveridge’s print centres on the precise overlap of two triangular forms. At their intersection, a third shape emerges—not drawn directly, but produced through alignment and tension.

This act of calibrated juxtaposition reflects a core strategy within Gabriele Beveridge’s wider practice. Her work frequently brings together elements that might otherwise remain separate: fragments of imagery, industrial materials and architectural forms, allowing meaning to arise through proximity rather than explanation.

In this edition, geometry becomes both structure and metaphor. The clean lines suggest control and deliberation, yet the space where the shapes meet introduces ambiguity. The new form is contingent, dependent on alignment — a reminder that perception is shaped by framing.

In risograph printing, each colour is printed as a separate pass through a risograph machine — a stencil-based duplicator that presses organic soy inks into the paper. Risograph inks are naturally vibrant — they are renowned for their vivid colours and evident textures. The inks are transparent so layers build to create more colours. Slight shifts in registration and a soft grain make every impression subtly unique.

Untitled is printed on Olin natural white 170gsm, an uncoated, FSC-certified stock whose gentle warmth lets the colours glow. The edition is strictly limited to 100 and will never be reprinted. All prints were produced at the London Centre for Book Arts.