Gabriele Beveridge’s print centres on the precise overlap of two triangular forms. At their intersection, a third shape emerges—not drawn directly, but produced through alignment and tension.

This act of calibrated juxtaposition reflects a core strategy within Gabriele Beveridge’s wider practice. Her work frequently brings together elements that might otherwise remain separate: fragments of imagery, industrial materials and architectural forms, allowing meaning to arise through proximity rather than explanation.

In this edition, geometry becomes both structure and metaphor. The clean lines suggest control and deliberation, yet the space where the shapes meet introduces ambiguity. The new form is contingent, dependent on alignment — a reminder that perception is shaped by framing.

The Risograph print process heightens this sense of precision. Layered inks reinforce the moment of intersection, subtly emphasising how reproduction itself becomes part of the work’s logic.

Produced in a strictly limited edition of 100, this print offers a concentrated encounter with artist Gabriele Beveridge’s formal and conceptual concerns.

Learn more about artist Gabriele Beveridge