Hannah Lees’ print makes use of the vibrant neon ink colours available in risograph printing. The print features versions of the hand gesture made by the penitent Mary Magdalene in paintings by Titian and El Greco. It is part of an exploration of themes of hermitage and pilgrimage that the artist explores in her wider art practice relating to her interest in cycles of constancy and mortality. Here she explores the idea of endings and the potential for new beginnings. The print is available in a limited edition of 100.

See Hannah Lees’ artist profile