I. The story behind the work
A fragment of Two for Joy
The print is cropped from Harriet’s painting Two for Joy, isolating a moment of daybreak where two magpies settle at the edge of things.
It returns to the ideas that run through her practice: cyclical time, threshold spaces, and the transitional emotional states in which we let go and begin again. The title borrows Cohen’s refrain — an invitation rather than an instruction.








