
Artist · Collection Three · 2023
enorê is a Brazilian multidisciplinary artist working across 3D printed ceramics, digital modelling, textiles and moving image. Their practice explores the porous boundary between the virtual and the physical, asking how digital systems shape — and are reshaped by — embodied experience.
Rather than treating technology as separate from materiality, enorê approaches digital processes as extensions of the body. 3D modelling becomes a tool for thinking through form before it solidifies; ceramic and textile processes return these speculative shapes to weight, texture and gravity. The work often moves in cycles: image to object, object to scan, scan to projection — collapsing distinctions between simulation and presence.
Through this oscillation, enorê examines how identity, memory and landscape are mediated through contemporary technologies. Their practice suggests that embodiment today is never purely physical nor entirely virtual, but entangled across systems.
enorê has exhibited with Bloomberg New Contemporaries, signalling early critical recognition within the UK art context. They have also been commissioned by Contemporary And to produce a new video series, expanding their engagement with digital storytelling and diasporic networks. A recent studio residency at Somerset House further marked a period of consolidation and increased visibility within institutional spaces.
Most recently, enorê’s exhibitions have included I’ve grown tired / I’ve grown hopeful at Brixton House, London, in 2026. In 2025 they were selected for Somerset House’s Talent25 programme, receiving a bursary and professional development support. In a July 2025 feature, The Art Newspaper introduced them among the five recipients of the programme, mentored by Yinka Ilori.
“enorê moves between digital processes and traditional image-making, exploring how the two can inform one another. The work challenges the distinction between the digital and the handmade.”